Focusrite Scarlett Solo Studio 4th Gen USB Audio Interface Desktop Bundle with CM25 MkIII Mic, SH-450 Headphones, StreamEye Boom Arm, and Pop Filter — 24-Bit/192kHz, Air Mode, Auto Gain

Key features

• COMPLETE DESKTOP RECORDING RIG, NOTHING LEFT TO SOURCE: The Scarlett Solo Studio ships with the interface, CM25 MkIII condenser, SH-450 headphones, a 3-meter XLR cable, and the Hitmaker Expansion software bundle. What it doesn't ship with: a real mic stand, a pop filter, or cable management. This bundle adds the StreamEye 27-inch desktop boom arm, the Gator Rok-It pop filter, and 5 reusable cable ties. One purchase, one signal chain, one recording desk ready to track tonight.
• 4TH-GEN SOLO PREAMP WITH -127dBu EIN: Most single-channel home interfaces audibly hiss at maximum gain. The Solo 4th-gen preamp doesn't. -127dBu equivalent input noise sits below what a quiet room contains, and the preamp has clean gain headroom for low-output dynamics and the included high-output condenser. 24-bit/192kHz RedNet-derived conversion adds 120dB dynamic range. The recording captures the performance, not the interface coloring it.
• AUTO GAIN AND CLIP SAFE MAKE EVERY TAKE A USABLE TAKE: First-time recordists ruin more takes setting levels than performing them. Auto Gain calibrates the input level automatically in 10 seconds — play, let go of the meter, focus on the song. Clip Safe samples 96,000 times per second and pulls gain before a take clips with no audible artifact. The performance keeps going. The take keeps being a take.
• DEDICATED HI-Z INPUT KEEPS THE MIC AND GUITAR PLUGGED IN: The Scarlett 2i2 makes you choose between mic and guitar on the same input. The Solo doesn't. The dedicated 1/4-inch Hi-Z instrument input on the front panel accepts guitar or bass directly — no DI box, no amp simulator, no swapping cables. The XLR input stays connected to the microphone. Switch between vocal and guitar takes in the DAW with no patch changes.
• STREAMEYE BOOM ARM REPLACES THE MIC STAND: Focusrite ships the Studio bundle with a mic stand that works for the first hour and not the second. This bundle includes the StreamEye 27-inch aluminum boom arm instead — 2.8 lb capacity covers the CM25 MkIII plus any upgrade mic, desk clamp fits edges up to 2.95 inches, tension springs are external and quiet, swivel mount rotates into podcast position. The mic stays where you put it.
• GATOR POP FILTER BLOCKS THE PLOSIVES THAT RUIN VOCAL TAKES: Every vocal take fights P, B, and T consonants — explosive bursts of air that hit the capsule directly and produce low-frequency thumps no compressor fully fixes. The Gator Rok-It 6-inch single-layer nylon screen on an 11.5-inch powder-coated steel gooseneck diffuses the air burst before it reaches the diaphragm. C-clamp with padded jaws attaches to the boom arm shaft without scratching. One vocal take instead of four.
• LOOPBACK FOR PODCASTERS, STREAMERS, AND REMOTE RECORDING: Loopback routes computer audio (browser, video call, game audio) into the DAW through virtual stereo inputs — solo podcasters capture remote guests cleanly, streamers mix mic and game audio in one chain. Works on Mac, Windows, and tablet USB-C. Class-compliant on Mac means plug in, the DAW starts. Make the purchase once, keep tracking.